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James Cameron’s decade-in-the-making The Way of Water has no plot, no stakes and atrocious dialogue. What happened to this great director?
By Robbie Collin
The White Lotus, season finale, review: violent, fun, traumatic – and a mystery solved
5/5
The second series of Mike White's savage satire, set in Sicily, came to an end with a brutal and hilarious finale - warning: spoilers
By Ed Power
Hampstead Theatre won’t prove the importance of new writing with this implausible main-stage turkey
2/5
The north London venue, recently stripped of its Arts Council funding, adds to its woes with dubious American play Sons of the Prophet
By Dominic Cavendish
Only a snob would dismiss The Dam Busters theme as second-rate music
Eric Coates, who also composed the Desert Island Discs theme, showed how 'light music' can bring joy to the darkest of times
Simon Heffer
The war against niche is disastrous for culture
As Arts Council cuts bite, it will become even harder for unknown artists to make their mark on a society which relies on familiarity
Ben Lawrence
The Turner Prize jury have played it too safe
Veronica Ryan' has some strong work behind her, but Heather Phillipson was the finest artist on this year's shortlist
Alastair Sooke
Avatar 2 is finally here – and it’s like being waterboarded with turquoise cement
1/5
James Cameron’s decade-in-the-making The Way of Water has no plot, no stakes and atrocious dialogue. What happened to this great director?
By Robbie Collin
Hampstead Theatre won’t prove the importance of new writing with this implausible main-stage turkey
2/5
The north London venue, recently stripped of its Arts Council funding, adds to its woes with dubious American play Sons of the Prophet
By Dominic Cavendish
This clever satire of modern feminism might well be the best new play of the year
5/5
Bush Theatre’s excellent show Paradise Now! skewers the Instagram generation’s obsession with authenticity as a substitute for female power